the keys of F-sharp minor and E-flat major.

middle C, E, G-natural, A-flat, F-sharp.

When writing a music history essay, avoid using abbreviations and symbols: No matter what style guide is followed, it is important to be consistent and clear, so that the reader can easily track down your references. Humanistic writing on music usually follows the Turabian guide (which is based on The Chicago Manual of Style), and Turabian will be followed in most of the history courses offered at Western. Cambridge: MIT Press, 1981, 9–15.Many students have probably not had much experience writing essays on music, a kind of writing that has its own stylistic conventions. “Translating the Untranslatable.” Introduction to Theodor W. Berkeley and Los Angeles: University of California Press, 1996. Berkeley and Los Angeles: University of California Press, 1995, 23–45. “Gender and other Dualities of Music History.” Musicology and Difference: Gender and Sexuality in Music Scholarship. Philadelphia: Temple University Press, 2010. Feminism and Affect at the Scene of Argument: Beyond the Trope of the Angry Feminist. Berkeley and Los Angeles: University of California Press, 2009. The Danger of Music and Other Anti-Utopian Essays. Berkeley and Los Angeles: University of California Press, 1995. Musicology and Difference: Gender and Sexuality in Music Scholarship. Paradise Lost: The Complete Poetry of John Milton. The Master and His Emissary: The Divided Brain and the Making of the Western World. Berkeley and Los Angeles: University of California Press, 2004. Modal Subjectivities: Renaissance Self-Fashioning in the Italian Madrigal. Minneapolis: University of Minnesota Press, 1991. Feminine Endings: Music, Gender, and Sexuality.

Ithaca: Cornell University Press, 1981, 17–102. “On Interpretation.” The Political Unconscious: Narrative as a Socially Symbolic Act. Chicago: University of Chicago Press, 1978. “Freud and the Scene of Writing.” Writing and Difference.

Cambridge: Cambridge University Press, 1976.ĭerrida, Jacques. “Music Discomposed.” Must We Mean What We Say?: A Book of Essays.

“Music-Drastic or Gnostic?” Critical Inquiry 30, 3 (Spring 2004): 505–36.Ĭavell, Stanley.

Mcclary feminine endings